Skip to content
Alexandra Lazar
menu
Primary Menu
*
About
art + archive
Arthur KORN: An Analytical And Utopian Architect
Artists on art: Barbara Hepworth and Reg Butler, 1951.
Artists on art: Barbara Hepworth and Reg Butler, 1951.
Dragan PAPIĆ: From Form To Oblivion
Dragan PAPIĆ: od oblika ka zaboravu
Hepworth
J. P. HODIN: A Bridge Between Europe And Britain
Mary Low
Thinking of Chris Marker’s The Owl’s Legacy (L’Héritage de la chouette, 1989)
drawings
Quince Bishop, or A Synaesthetic Dictionary
reviews
Approaches to transience
Autor
Beli ladolež, crveni mak
Herst: taština praznine
Igra na kvadrat
Lasta pokućarka
Otvorena knjiga Balkana
PISSED
PISSED
Pristupi prolaznosti
Slika kao svetlost ili teret
Svi smo Danijel Blejk
The Housemarten
The Housemarten 2: Helen Marten and the politics of managed depression
Tolerancija na testu
Umetnost kao zajedničko iskustvo
Večera za zeca
Vifredo Lam: Trojanski konj magične avangarde
Вилфредо Лам
Zadovoljstvo Mone H.
Zanos i stvarnost novog Oktobarskog salona
writing
A Place To Hold You
A Place To Hold You (Sr.)
Aleksandar Dimitrijević : Igraonica
Aleksandar Dimitrijević : Slika kao metagaming i kao skladište sećanja
Aleksandar Dimitrijević: Playground
Anagrammatical drawings of Dragana B Stevanović
Conversations on Nature
Darkness Light Darkness: an introduction to the genealogy of the process of Đorđe Stanojević
Dimenzija vremena: hronoskopi Božidara Plazinića
Edgelands, or the wilderness of Nikola Džafo’s ‘The Garden of Solstice Secrets’
Edible
Encountering the game: in the studio of Aleksandar Dimitrijević
Inner Tuning: balans i ritam u radovima Ane Knežević
Kolya Božović | E P I C | opet to, malo drukčije
Kolya Božović | E P I C | The same, but a little different
Mile Šaula, Ljubičasti sat
Mile Šaula, The Violet Hour
Operacija Nezamislivo: “Enklava” kao moć, strah i mesto
Petar Mošić, Embroideries
Petar Mošić, Vezovi
Philipp Hennevogl: the power of everyday
Pirates of the Precariat: the Effects of Transition on Cultural Workers in Serbia
Pod vodom
Radical Softness
Radikalna Mekoća
Sintetička sećanja i poli-mašine u doba Blade Runner-a: Izložba laureata XI Nagrade za crtež Fondacije Vladimira Veličkovića
Synthetic memories and polymachines in the Blade Runner era: Exhibition of the laureates of the XI Vladimir Veličković Foundation Drawing Prize
Tama svetlost tama: uvod u genealogiju procesa Đorđa Stanojevića
The Free Artist
Underwater
Zeitmasse: Chronoscopes of Božidar Plazinić
Филип Хенефогл: Снага свакодневице
Menu
Search for:
Press Enter / Return to begin your search.
close search form
open search form
open sidebar
scroll to discover more
back to top
Uncategorized
February 14, 2013
Like
Loading...
Related
Published by
Alexandra Lazar
View all posts by Alexandra Lazar
Related
Leave a comment
Cancel reply
Δ
Comment
Reblog
Alexandra Lazar
Sign up
Log in
Copy shortlink
Report this content
Manage subscriptions
Loading Comments...
Write a Comment...
Email (Required)
Name (Required)
Website
%d